Season of Changes is the third album
and first Verve release by Brian Blade
and the Fellowship Band, the visionary
ensemble that matches renowned drummer/composer
Blade with the formidable talents of pianist
and composer Jon Cowherd, Kurt
Rosenwinkel (guitar), Chris
Thomas (bass), Myron Walden (alto
saxophone, bass clarinet) and Melvin
Butler (tenor saxophone).
The
album features nine moving new works by Blade
and Cowherd, and offers a compelling distillation
of the compositional eloquence and collective
chemistry that have made Blade and his longtime
bandmates one of contemporary jazz's most respected
ensembles.
True
to its title, Season of Changes (produced
by Blade and Cowherd) finds the players pursuing
their collective muse into emotionally
evocative new territory. The album opens
with the gently striking "Rubylou's Lullaby," one
of the album's six Blade compositions, followed
by Cowherd's driving, multi-movement "Return
of the Prodigal Son," which showcases
Rosenwinkel's stellar guitar work and Butler's
emotive tenor. The title track is a modern
epic that reveals Cowherd's depth and growth
as a composer, as well as his ability to write
for the band's collective expression. Another
highlight is "Most Precious One" and
its companion piece "Most Precious One
(Prodigy)." The former starts off
with Thomas' steady bass mantra, and then transitions
into a more layered, beat-driven performance
of the composition. The album closes
with the Blade composition "Omni," which
features Walden's soaring alto.
Season
of Changes is the group's first album
in eight years, following 1998's Daniel
Lanois-produced Brian Blade
Fellowship and 2000's Perceptual,
which Blade and Cowherd co-produced.
The
Louisiana-bred Blade's remarkable percussive
sensitivity and versatility were nurtured in
his hometown of Shreveport and later in New
Orleans under the tutelage of such mentors
as John Mahoney, Steve Masakowski, Bill Huntington,
George French, Ellis Marsalis and drumming
masters John Vidacovich and David Lee, Jr. In
recent years, he's balanced his Fellowship
activities with his parallel career as one
of today's most in-demand drummers, with a
resume that includes recording and/or live
work with a broad range of musical artists
that includes Daniel Lanois, Bob
Dylan, Bill Frisell, Kenny
Garrett, Emmylou Harris, Joni
Mitchell, Joshua Redman, Seal and Wayne
Shorter.
Despite
his and his cohorts' prestigious individual
resumes, Blade emphasizes the Fellowship Band's
collaborative focus. "I feel less
like a leader than I feel like I'm trying to
be part of an enduring collective statement," he
states. "It's always a learning
experience to take the trip and see what happens
when we mix and mingle as a band. Everybody
gives everything to it, and it's always a joyful
experience, even when the music is melancholy.”
"When
I'm writing for the Fellowship," Blade explains, "Myron and Melvin
and Chris and Jon and Kurt are always in my mind and I'm writing for their
voices. The music on paper sits dormant, until I bring it to them and they
inject it with their energy. That's when it becomes real. It's
the same with Jon's writing; it always inspires me to hear what he's working
on, because he has a real talent for bringing out the gifts of the group."
The
musicians' individual talents and organic rapport
make Season of Changes a memorable
evocation of Brian Blade and the Fellowship
Band's singular brilliance. "I
feel really blessed to be a part of this group," Blade
asserts, "and to know these people and
to feel such dedication and emotional investment
in being a part of this band. It's not
something that you can put on paper; it's a
chemical reaction that comes from people having
a connection, and in our case it keeps growing. Even
if we have a lot of time away from each other,
the thread is held, and it's still there when
we come back to it. It really feels like
coming home to my family.”
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Sunday -
September 21, 2008 / 4:00pm |
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Garden Stage |
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